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Joanna graduated at the Academy of Music in \u0141od\u017a at the class of Professor Delfina Ambroziak with distinction. In addition, she completed her postgraduate studies at the Academy of Music in Wroc\u0142aw under Professor Ewa Czermak.<\/p>\n
Joanna took master classes with Prof. Barbara Schlick, Prof. Ingrid Kremling, Prof. Ewa Czermak during the Wratislavia Cantans Festival, Prof. R. Karczykowski, as well as with Prof. Teresa \u017bylis-Gara and Prof. Helena \u0141azarska at the International Summer Academy of the Mozarteum Salzburg.<\/p>\n
In 2006 Joanna received a scholarship from the Polish Ministry of Culture and National Heritage and in 2012 from the Richard Wagner Scholarship Foundation in Bayreuth.<\/p>\n
She has won various competitions such as: the Polish Song Competition in Warsaw (2007), La Boheme competition in Verona (2009) and the 8th International Moniuszko Vocal Competition in Warsaw, where Joanna was awarded the special prize for best coloratura soprano and also as the best Polish singer (2013). In 2016 she received the \u201cJan Kiepura Prize\u201d as best singer.<\/p>\n
In April 2007, her fourth year of study, she made her debut at the Grand Theater in \u0141odz as Rosina in the premiere of The Barber of Seville by G. Rossini. For this role, she was awarded with the \u201cGolden Mask\u201d for the best season debut.<\/p>\n
From 2008 to 2017 she was a soloist at the Wroc\u0142aw Opera. There she made her debut in March 2008 in the role of Queen of the Night in The Magic Flute by W. A. Mozart. On the same stage she excelled as: Olympia in The Tales of Hoffmann by J. Offenbach, Adina in L’elisir d’amore by G. Donizetti, Lucia in Lucia di Lammermoor by G. Donizetti, Sophie in Rosenkavalier by R. Strauss, Musetta in La Boheme by G. Puccini and Leila in Les p\u00eacheurs de perles by G. Bizet.<\/p>\n
She has worked successfully with conductors such as: Tadeusz Koz\u0142owski, Ewa Michnik, Andriy Yurkevych, Friedrich Heider, Jose Florencio, Ruben Silva, \u0141ukasz Borowicz, Jari Hamalainen, Anne Randine Overby, Bassem Akiki, Matteo Pagliari, Samuel Hogarth, Uwe Sandner, Jakubcker , Francesco Bottigliero, Andrzej Straszy\u0144ski, Jacek Kasprzyk, and also directors such as: Micha\u0142 Znaniecki, Kerstin Maria Pohler, Suzanne Andrade, Barrie Kosky, Mariusz Treli\u0144ski, Irina Brook, Rocc, Georg Rootering, Urs H\u00e4berli, Waldemar Zawodzi\u0144ski, Micha\u0142 Zadara.<\/p>\n
She performed at the Summerfestival in Xanten, Schlossfestspiele in Regensburg, Saaremaa Opera Festival in Estonia and Bergen Opera Nasjonale Opera in Norway.<\/p>\n
In the season 2017\/2018 she cooperated with Pfalztheater Kaiserslautern performing: Leila in Les p\u00eacheurs de perles by G. Bizet, Lucia in Lucia di Lammermoor by G. Donizetti and Ann Truelove in Rake\u2019s Progress by I. Stravinsky.<\/p>\n
Presently she works with The National Opera in Warsaw as Queen of the Night in the famous production of The Magic Flute staged by Susanne Andrade and Barrie Kosky from Komische Oper Berlin and Dirce, Medee, by L. Cherubini \u2013 co-oproduction with Salzburg Festival.<\/p>\n
The roles of The Queen of the Night (The Magic Flute) and Konstanze (Die Entf\u00fchrung aus dem Serail, also by W. A. Mozart) she performs at the Warsaw\u2019s Chamber Opera and Cunegonde from Candide by L. Bernstein and Rosa from Don Bucefalo by A. Cagnoni at the Baltic Opera Gdansk.<\/p>\n
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| L. Bernstein<\/td>\n | Candide<\/td>\n | Cunegonde<\/td>\n<\/tr>\n |
| J. Bizet<\/td>\n | Les p\u00eacheurs de perles<\/td>\n | Leila<\/td>\n<\/tr>\n |
| A. Cagnoni<\/td>\n | Don Bucefalo\t<\/td>\n | Rosa<\/td>\n<\/tr>\n |
| L. Delibes<\/td>\n | Lakm\u00e8<\/td>\n | Lakm\u00e8<\/td>\n<\/tr>\n |
| G. Donizetti<\/td>\n | L\u2019elisir d\u2019amore<\/td>\n | Adina<\/td>\n<\/tr>\n |
| G. Donizetti<\/td>\n | Lucia di Lammermoor<\/td>\n | Lucia<\/td>\n<\/tr>\n |
| G. Donizetti<\/td>\n | Don Pasquale<\/td>\n | Norina<\/td>\n<\/tr>\n |
| St. Moniuszko<\/td>\n | The Haunted Manor<\/td>\n | Hanna<\/td>\n<\/tr>\n |
| St. Moniuszko<\/td>\n | The Countess<\/td>\n | Miss Ewa<\/td>\n<\/tr>\n |
| St. Moniuszko<\/td>\n | Die Schweizerh\u00fctte<\/td>\n | Mary<\/td>\n<\/tr>\n<\/tr>\n |
| W. A. Mozart <\/td>\n | The Magic Flute<\/td>\n | Queen of the Night<\/td>\n<\/tr>\n |
| W. A. Mozart <\/td>\n | Le Nozze di Figaro<\/td>\n | Suzanna<\/td>\n<\/tr>\n |
| W. A. Mozart <\/td>\n | Die Entf\u00fchrung aus dem Serail<\/td>\n | Konstanze<\/td>\n<\/tr>\n<\/tr>\n |
| J. Offenbach<\/td>\n | Les Contes d\u2019Hoffmann<\/td>\n | Olympia<\/td>\n<\/tr>\n |
| C. Orff<\/td>\n | Carmina Burana<\/td>\n | Soprano<\/td>\n<\/tr>\n |
| G. Puccini<\/td>\n | La Boheme<\/td>\n | Musetta<\/td>\n<\/tr>\n<\/tr>\n |
| G. Puccini<\/td>\n | Gianni Schicchi<\/td>\n | Lauretta<\/td>\n<\/tr>\n |
| G. Puccini<\/td>\n | Il Barbiere di Siviglia\t<\/td>\n | Rosina<\/td>\n<\/tr>\n |
| J. Strauss<\/td>\n | Die Fledermaus<\/td>\n | Adele<\/td>\n<\/tr>\n<\/tr>\n |
| R. Strauss<\/td>\n | Der Rosenkavalier<\/td>\n | Sophie<\/td>\n<\/tr>\n |
| I. Stravinsky<\/td>\n | The Rake\u2019s Progress<\/td>\n | Anne Trulove<\/td>\n<\/tr>\n |
| A. Thomas<\/td>\n | Hamlet<\/td>\n | Ophelia<\/td>\n<\/tr>\n |
| G. Verdi<\/td>\n | Rigoletto<\/td>\n | Gilda<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n [\/et_pb_text][et_pb_text _builder_version=”4.6.1″ _module_preset=”default”]<\/p>\n In preparation:<\/h3>\n[\/et_pb_text][et_pb_text _builder_version=”4.6.1″ _module_preset=”default”]<\/p>\n |